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Our thanks to the many who have contributed their time, and memories, to this retrospective of the Plainsmen.

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The Fender serial number decoder currently supports all documented MIA, MIJ, MIM, MIK and MII formats with the exception of Custom Shop, Relic and Reissue instruments.

Please note that fender serial numbers tend to overlap by at least a year, and thereby the date of your guitar can only be approximated.

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The popular monthly touted the positive benefits of gospel music, christian values, and strong family ties. The couple would soon relocate to New Mexico and later spend six years in North Carolina. During the same year, the company began a long-running relationship with the Dallas radio station KRLD, that introduced the company’s products, and quartets, to an even greater audience. It should be noted that XERA was controlled, through a Mexican broadcasting company, by the famous, or infamous, Dr. Binkley, who became internationally known for his dubious “goat gland” implantation procedures of the 1920s and 1930s.

1921 brought the formation of Vaughan Phonograph Records featuring the Vaughan Quartet, and making the group the first gospel quartet to be commercially recorded and marketed. In spite of the Great Depression, during the early 1930s the Stamps-Baxter company saw much success, based on the business system pioneered by James D. XERA was a re-licensing of Binkley’s XER, with studios, transmitter, and broadcasting towers in Villa Acuna, now Ciudad Acuna, across the border from Del Rio, Texas.

In 1910, with the publishing company seeing moderate success, James David Vaughan, hit on an idea that within one year would double his songbook sales.

His new marketing plan was built around putting together a male quartet, the first commercial gospel quartet, and using it as a promotional vehicle for his products. It was only logical that having more people who were able to read music would directly translate into more songbook sales. The two men were a classic example of, “opposites attract.” V. was one of those in your face, high energy individuals who loved doing the grip and grin, and who loved making projects happen. Baxter, on the other hand, did not like quartets, nor care for any of the publicity that greased the industry.

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