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As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.

But if Song betrayed the spirit of the omnibus project, he remained true to the needs of his film.

Almost missed among all that was a quiet film directed by a virtual unknown but starring the talented Jo Seung-woo.

In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery.

Git (which means either a triangular flag or "feather" in Korean) is surprising in several respects.

A peacock appears on the island, with no clear explanation or motivation.

And the tango, a very un-Korean pasttime, makes a striking appearance in the film.

These are some reviews of the features released in 2005 that have generated the most discussion and interest among film critics and/or the general public. Sometimes small-scale, informal projects can liberate a director.

Without the pressure and weighty expectations involved in producing a major work, inspiration flows freely and the result is an even more accomplished piece of art.

To capture a natural setting so well on a medium that often feels cold and sterile is an unusual accomplishment.

The relaxed, convincing performances of the actors also deserve notice.

One hopes that it will be liberated from the other two segments of 1.3.6. At 70 minutes, it is a perfectly respectable length for a stand-alone feature film, and this is a movie that deserves to travel.

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